Wow. Great topic Gerard!
I have read this topic with interest, and mulled over a lot of memories in my head before entering into this conversation.
Though I've been a member of this forum for over a year, I have yet to stick my neck out on a contentious issue, but I feel I am well qualified for this one - as I have experienced both sides of this story. So I may as well have my

.
I started bonsai, and enthusiastically joined a Sydney club when I was 12 years old - 29 years ago.

The members were great to me, and very encouraging, but I can relate to Ziggys post:
Zyggy R wrote:The Waverley Bonsai Group received an email the other day from a past member.
He said he and a young mate were members back in the 90's but ended up leaving as they felt left out.
Although it was not the intent of any of the club members.... I felt left out. First of all, I was 12... that made me by far the youngest member of the club, and around 40 years younger than the average member age

. So, a little intimidating. Second, at such a young age, the horticultural aspects were a little over my head. 3rd - funds.... although my parents supported me in all my activities, good bonsai costs money - whether that be soil mix, ferts, tree stock, pots, stands, tools, wire, benches, watering systems, getting to nurseries etc. etc.
Never the less, I persisted. I stayed 6 years and persevered... as the bug had bitten. However, in that time, I never felt any of my trees were ever worthy of display, and never showed any. After 6 years, girls and partying become more of a priority... and bonsai took a back seat for nearly 20 years.
However, I was lucky. My dad watered and maintained my trees for two decades, while I pruned the trees every few years to keep them somewhat in check.
20 years later, and I am much wiser. I have excellent stock, good trees, and a wealth of knowledge. I have also been lucky enough to spend my fair share time in Japan - which is priceless in regards to gaining knowledge of how the best do it. Now I see the other side of the coin, and I sympathise with new members in my current club. But I also see the intimidating aspects, and other issues, from a very different perspective.
JaseH wrote:i have discussed this recently with a few of my bonsai peers. I am strongly of the opinion that best way to promote the art and push the standard of bonsai is to exhibit the best trees in the best possible manner. Getting a tree to exhibition quality should be a goal - a long, hard earned one. That's what pushes us to produce quality and improve and innovate. To have a tree represented in a show should feel like an achievement.
Deep down I agree with JaseH. The hard yards should earn the accolades. However, this doesn't help club membership and participation. To gain any depth of field in bonsai, you need to keep the beginners long-term. You will never have depth in Australia like you do in Japan.... it is both cultural and generational in Japan. Here in Oz, it is still a niche individual hobby. But a good compromise is a separate beginners-section at the shows to encourage them and keep them interested. So I reckon Grahame and Waverly Bonsai Group are on the money in this regard.
Jeff wrote:1. The Venue – I have been to many shows over the years that have been filled with excellent examples of bonsai. All of the specimens ranged from very good to excellent however when I entered the exhibition, all I noticed were the basketball hoops. It’s a shame. Would paintings or sculptures of this quality be presented in this manner? No. I feel like it is a lack of respect to the art form and to the artist. If Bonsai is to grow, we cannot present it as some kind of horticultural sideshow. Perhaps it is time to move away from the scout halls and gymnasiums of the suburbs and consider appropriate venues to display art.
100% agree with Jeff. I don't believe we take enough care, or respect attention to detail in Oz. A bonsai tree display is about the whole display, and not just the tree. This can be a problem with regards to club funding, but can be overcome with a little more effort. To give you an example, this is a tree as displayed in a Sydney show today

:
tree1.jpg
But funding problems extend further than that in my experience. Whilst I am nearly 30 years into this hobby, I still find myself the second-youngest member of my current club.

The current typical demographics of the bonsai hobby in my area consist mainly of retirees. This presents two problems with regards to depth of quality - first (and I am putting this as diplomatically as possible) the majority of members don't have a 30-year outlook for their trees. Second, the typical retiree income in a rural area does not allow the needed funding on a personal level, or club level, to achieve the required detail, quality, or venues that we would like to see. So, given these two obstacles, I don't think it is practical to be aiming for the 'master' quality of displays we see elsewhere. It is just not going to happen any time soon. But that should not detract from the love of the bonsai, or the inspiration and motivation we get from seeing a top-class tree, or displaying the best that we have.
One issue that has not been broached in this thread, but IMO cannot be ignored (dare I venture there

) is politics. There still seems to be a very clicky network, and obvious pecking order in the bonsai fraternity. There are still some clubs experiencing political infighting. And to some extent, a bonsai 'elite' group that is more reflective of the time spent in the inner circle, rather than the quality if their work. This is probably the most intimidating aspect of the hobby to me in Australia today.... just saying.
